Bio | Jonathan Lasker

Born	July 30, 1948, Jersey City, NJ


Education

1975-77	School of Visual Arts, New York, NY
1977	California Institute of the Arts, Valencia, CA


Awards

1987	National Endowment for the Arts Fellowship Grant
1989	New York Foundation for the Arts Fellowship Grant
1989	National Endowment for the Arts Fellowship Grant
2000	Honorary Visiting Professorship, The London Institute, London, England
2011	American Academy of Arts and Letters, New York, Arts and Letters Award


Solo Exhibitions

1981	Landmark Gallery, New York
	Gunnar Kaldewey, Düsseldorf, Germany
1984	Annette Gmeiner, Kirchzarten, Germany
	Tibor De Nagy, New York
1986	Michael Werner, Cologne, Germany
	Tibor De Nagy, New York
	Massimo Audiello, New York
1987	Michael Werner, Cologne, Germany
	Anders Tornberg, Lund, Sweden
1988	Massimo Audiello, New York
	Gian Enzo Sperone, Rome, Italy
1989	Massimo Audiello, New York
1990	Michael Werner, Cologne, Germany
	Anders Tornberg, Lund, Sweden
1991	Gian Enzo Sperone, Rome, Italy
	Schmidt Markow Gallery, St. Louis, MO
	Annette Gmeiner, Stuttgart, Germany
	Lars Bohman, Stockholm, Sweden
	Sperone Westwater, New York
1992	Institute of Contemporary Art, Univ. of PA, Philadelphia, PA
	Thaddaeus Ropac, Paris, France
	Baumgartner Gallery, Washington, D.C.
	Eugene Binder, Dallas, TX
1993	Witte de With Center for Contemporary Art, Rotterdam, Holland
	Rhona Hoffman, Chicago, IL
	Bernd Klüser, Munich, Germany
	Sperone Westwater, New York
1994	Galerie Buchmann, Basel, Switzerland
	Lars Bohman, Stockholm, Sweden
	Bravin Post Lee, New York
1995	Soledad Lorenzo, Madrid, Spain
	L.A. Louver, Los Angeles, CA
1996	Sperone Westwater, New York
1997	Velge et Noirhomme, Brussels, Belgium
	Thaddaeus Ropac, Paris, France
	Galerie Kienzle und Gmeiner, Berlin, Germany
	Galleria Milleventi, Turin, Italy
	Schmidt Contemporary Art, St. Louis, MO
1997-98	Kunsthalle Bielefeld, Bielefeld, Germany; Stedelijk Museum, Amsterdam, Holland; Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, “Jonathan Lasker: Paintings 1977-1997”
1998	Timothy Taylor, London, England
	Centre Nicolas Pomel, Association Art Contemporain, Issoire, France, “Jonathan Lasker: Paintings 1986-1997”
	Soledad Lorenzo, Madrid, Spain
1999	Sperone Westwater, New York
1999-2000	Forum for Contemporary Art, St. Louis, MO; The Power Plant Contemporary Art Gallery at Harbourfront Centre, Toronto, Canada; Rose Art Museum,Brandeis University, Waltham, MA; Birmingham Museum of Art, Birmingham, AL, “Jonathan Lasker: Selective Identity – Paintings from the 1990’s”
2000	Jan Weiner, Kansas City, MO, “Complete Print Survey”
	Thaddaeus Ropac, Paris, France
2001	Lars Bohman, Stockholm, Sweden
2002	Sperone Westwater at the A.D.A.A. Art Show, New York
	Galerie Kienzle und Gmeiner, Berlin, Germany
	Galeri Wang, Oslo, Norway
2003	Thomas Schulte, Berlin, Germany, “Drawings”
	Palacio de Velazquez, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; K-20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, “Jonathan Lasker: Paintings, Drawings, Studies 1977-2003”
	Sperone Westwater, New York, “Drawing and Painting”
2004	Timothy Taylor, London, England, “Coloured Scribbles”
2005	Galleria Cardi & Co., Milan, Italy
	Kunsthallen Brandts Klædefabrik, Odense, Denmark; Pori Taide Museo, Pori, Finland, “Jonathan Lasker: From Drawing to Painting to Drawing”
2006	Galerie Thaddaeus Ropac, Salzburg, Austria
	Galerie Alain Noirhomme, Brussels, Belgium
2007	Cheim and Read, New York, NY
	Sabine Knust, Munich, Germany, “Drawings 1979 – 2007”
	Timothy Taylor, London, England, “Studies for Paintings 1986 – 2006”
2008	Thomas Schulte, Berlin, Germany
	Portland Art Museum, Portland, Oregon
2009	Lars Bohman, Stockholm, Sweden
2010	L.A. Louver, Los Angeles, California
	Alain Noirhomme, Brussels, Belgium
2011	Timothy Taylor, London, England, “Jonathan Lasker: The 80s”
2012	Thaddaeus Ropac, Paris, France, “Recent Paintings”
	Lars Bohman, Stockholm, Sweden, “Jonathan Lasker: The 80s”
	Cheim and Read, New York, “Jonathan Lasker: Early Works 1977-1985”
	Thomas Schulte, Berlin, Germany, “Jonathan Lasker: The 80s”
2014	Peter Lund, Oslo, Norway
2015	Musee d’Art Moderne et Contemporain de Saint-Étienne Métropole, St. Étienne, France, “Jonathan Lasker: Paintings 2001-2014”
2016	Cheim and Read, New York
2017	Bohman-Knäpper, Stockholm, Sweden
2018	Maruani Mercier, Brussels, Belgium
2021	Greene Naftali, New York, New York, “Born Yesterday: Drawing into Painting, 1987-2020”
2022	Thaddaeus Ropac, Paris, France, “New Paintings”
2023	Greenstein Collection, Seattle, WA
	Greene Naftali, New York, “Jonathan Lasker: The Life of Objects in a Picture”
2024	Galerie Thaddaeus Ropac, Salzburg, Austria, “Jonathan Lasker:Painting and Drawing”
	Museum of Recent Art [MARe], Bucharest, Romania, “Jonathan Lasker: Paintings from Four Decades”

Selected Group Exhibitions

1981	Landmark Gallery, New York
	Tony Shafrazi, New York
	Novo Gallery, New York
	Patrick Verelst, Antwerp, Belgium
1982	Landmark Gallery, New York, “Tenth Anniversary Exhibition”
1983	Tibor De Nagy, New York, “On An Intimate Dimension”
	Hamilton Gallery, New York, “New Biomorphism and Automatism”
1984	Tibor De Nagy, New York, “Fact and Fiction”
	Gabrielle Bryers, New York, “Jonathan Lasker/Renee Lynch”
	Proctor Art Center, Bard College, Annandale-on-Hudson, NY
	Hadler Rodriguez Gallery, New York
1985	55 Mercer Gallery, New York, “2. Smart Art, Too,” Joseph Masheck, Curator
	Cash/Newhouse Gallery, New York, “Final Love”, Collins & Milazzo, Curators
	Carpenter Center for the Visual Arts, Harvard University Cambridge, MA,”Smart Art: New Work from NY”, Joseph Masheck, Curator
	Postmasters Gallery, New York, “Paravision”, Collins & Milazzo, Curators
	Wolff Gallery, New York, “Abstract Painting”
	Tibor De Nagy, New York, “Summer Exhibition”
	Museum Ludwig, Cologne, Germany, “Kölner Herstsalon”
	Sherry French Gallery, New York, “Abstract/Issues”, Steven Madoff, Curator
	Wacoal Art Center, Tokyo, Japan, “Vernacular Abstraction”
	Tibor De Nagy, New York, “Cult and Decorum”, Collins & Milazzo, Curators
	Jay Gorney Modern Art, New York
1986	Annette Gmeiner, Kirchzarten, Germany, “Drawings”
	Rose Art Museum, Brandeis University, Waltham, MA
	Carnegie Mellon University, Pittsburgh, PA; Klein Gallery, Chicago, IL, “Abstraction/Abstraction”, Elaine King, Curator
	Margo Leavin, Los Angeles, CA, “Paravision II”, Collins & Milazzo, Curators
	Tony Shafrazi, New York, “What It is”, Wilfried Dickhoff, Curator
	American Fine Arts Co., New York, “Modern Sleep”, Collins & Milazzo, Curators
	Tibor De Nagy, New York, “The Kaldewey Press”
	Hirschl & Adler Modern, New York, “The Intuitive Line”
1987	Rathbone Gallery, Russell Sage College, Albany, NY, “The Shape of Abstraction”
	Laurie Rubin, New York, “Interstices”, Jonathan Seliger, Curator
	The Corcoran Gallery of Art, Washington, D.C., “Fortieth Biennial Exhibition of Painting”, Ned Rifkin, Curator
	Postmasters Gallery, New York
	Aldrich Museum of Contemporary Art, Ridgefield, CT, “Post-Abstract Abstraction”, Eugene Schwartz, Curator
	Renaissance Society, University of Chicago, Chicago, IL; Newport Harbor Art Museum, Newport Beach, CA, “Cal-Arts:Skeptical Belief(s)”
	Massimo Audiello, New York
	Annette Gmeiner, Stuttgart, Germany, “Meine Maler”
	Michael Werner, Cologne, Germany
	Mayor Rowan Gallery, London, England, “New York, New Art”
1988	Saatchi Collection, London, England, “N.Y. Art Now”
	Lang & O’Hara, New York
	Rooseum, Malmo, Sweden, “Art At The End Of The Social”, Collins & Milazzo, Curators
	University of North Texas, Denton, TX; J. B. Speed Art Museum, Louisville, KY; Alberta College of Art, Edmonton, Canada; Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Gallery, St. Lawrence University, Canton, NY; Santa Fe Community College, Gainesville, FL, “Hybrid Neutral”, a traveling exhibition organized by Independent Curators International, New York; Collins & Milazzo, Curators
	The Metropolitan Museum of Art, Thomas J. Watson Library, New York, “The Kaldewey Press”
	Kunstverein Hochrhein e.v., Villa Berberich, Bad Säckingen, Germany, “Schwarzwaldbild”
	White Columns, New York, “Benefit Exhibition”
1989	Shea & Beker, New York, “Diagrams & Surrogates”, Saul Ostrow, Curator
	Stedelijk Museum, Amsterdam, Holland, “Horn of Plenty”, Gosse Oosterhof, Curator
	Emily Lowe Gallery, Hofstra University, Hempstead, NY, “The Pellizzi Collection”
	Thaddaeus Ropac Gallery, Salzburg, Austria, “The Silent Baroque”, Christian Leigh, Curator
	Galleria Regionale di Palazzo Bellomo, Siracusa, Italy, “Specchi Ustori”, Demetrio Paparoni and Michelangelo Castello, Curators
	Daniel Newburg, New York, “Drawings”
1990	Marc Richards Gallery, Los Angeles, CA, “Spellbound”, Christian Leigh, Curator
	Scott Hansen Gallery, New York, “Token Gestures”, Collins & Milazzo, Curators
	Anders Tornberg, Lund, Sweden
	Real Art Ways, Hartford, CT, “Mythic Moderns”, Jude Schwendenwien, Curator
	Nicole Klagsbrun, New York, “Benefit Exhibition”
	Joensuu Art Museum, Joensuu, Finland, “Maailmat, Worlds ’90 International Art Show”
	Daniel Weinberg, Los Angeles, CA, “Benefit Exhibition”
	Tony Shafrazi, New York,”The Last Decade: American Artists of the 80’s”, Collins & Milazzo, Curators
	Pace Gallery, New York, “Painting Alone”, Rainer Crone and David Moos, Curators
	Philippe Briet, New York, “Clifford Still: A Dialogue”, Alan Jones, Curator
	New York Public Library, Gottesman Exhibition Hall, New York, “On Paper: The History of an Art”
	Tibor De Nagy, New York, “Fortieth Anniversary Exhibition”
1991	Wolff Gallery, New York, and Feigen, Inc., Chicago, IL,”Strategies for the Next Painting”, Saul Ostrow, Curator
	Grossman Gallery, School of the Boston Museum of Fine Arts, Boston, MA, “Between Intuition and Reason, Saint Clair Cemin /Jonathan Lasker”
	Usdan Gallery, Bennington College, Bennington, VT, “Hybrid Abstract”, Joshua Decter, Curator
	Gallery of Modern Art, Bologna, Italy, “Anni Novanta”, Renato Barilli and Pier Giovanni Castagnoli, Curators
	Perry Rubenstein, New York, “The Thing”, Vik Muniz,Curator
	Sperone Westwater, New York
	Hirshhorn Museum and Sculpture Garden, Washington, D.C., “New Acquisitions”
	Weatherspoon Art Gallery, Greensboro, NC, “Art on Paper”
	John Good, New York, “The Metaphysics of Light”, Demetrio Paparoni, Curator
	Sidney Janis, New York, “Conceptual Abstraction”
	Matthew Marks, New York, “Benefit Exhibition”
1992	Max Protetch, New York, “Stubborn Painting: Now and Then”, Ruth Kaufman and Mike Metz, Curators
	Sandra Gehring, New York, “Shades of Difference”, Shirley Kaneda, Curator
	Gallerie Nächst St. Stefan, Vienna, Austria, “Abstrakte Malerie Zwischen Analyse Und Synthese”
	Dayton Art Institute & Museum of Contemporary Art, Wright State University, Dayton, OH, “The City Influence”, Barry Rosenberg, Curator
	P.S. 1 Museum, Long Island City, NY, “Slow Art: Painting In New York Now,” Alana Heiss and Warren Niesluchowski, Curators
	Museo Regione Autonoma Della Valle D’Aosta, Aosta, Italy,”Theoretically Yours”, Collins & Milazzo, Curators
	Schmidt Contemporary Art, St. Louis, MO, “Abstract Painting 1992”
	Documenta Halle, Kassel, Germany, “Documenta IX”
	Rolf Ricke, Cologne, Germany, “Kinder! Macht Neues!”
	Sperone Westwater, New York
	Morat Institut Für Kunst Und Kunstwissenschaft, Freiburg, Germany, “Kunstprodukt Heimat”, Klaus Merkel, Curator
	Thaddaeus Ropac, Paris, France
	Annina Nosei, New York, “Who’s Afraid of Duchamp, Minimalism And Passport Photography?”, Collins & Milazzo, Curators
	Galleria Galliani, Geneva, Italy
1993	Ruth Bloom, Los Angeles, CA, “The Brush Stroke”
	Hirshhorn Museum & Sculpture Garden, Washington, D.C., “The Permanent Collection Revisited”
	Thaddaeus Ropac, Paris, France, “New York on Paper”
	Peggy Guggenheim Collection in association with the Venice
	Biennale, Venice, Italy; Guggenheim Museum Soho, New York, “Drawing the Line Against Aids”
	Pamela Auchincloss, New York, “Color”
	Sammlung Götz, Munich, Germany, “New York Painters”
	Baumgartner Gallery, Washington, D.C. “New Moderns”, Joseph Masheck, Curator
	Art Museum of the Americas, Washington, D.C., “Off the Mall: Inside Washington’s Foremost Art Galleries”
	Raymond Bollag, Zürich, Switzerland, “Zeichnungen Setzen Zeichen, Künstler Der Documenta IX”
	Galerie Nächst St. Stephan, Vienna, Austria
	Grolier Club, New York, “The American Livre De Peintre”
	Sperone Westwater, New York, “The Spirit of Drawing”
	Galleria Nationale D’Arte Moderna, San Marino, Italy, “Italy- America: Abstraction Redefined”, Demetrio Paparoni, Curator
	Paolo Goyannes, Paris, France; Tennisport, Long Island City, NY, “Jours Transquilles a Clichy”, Alain Kirili, Curator
	Sperone Westwater, New York, “Summer Exhibition”
1994	Gallery Bardamu, New York, “Possible Things”, Vik Muniz, Curator
	Todd Gallery, London; John Hansard Gallery, University of Southampton, Southampton, England, “Choice, Chance and Irony”
	Hayward Gallery, London, England,”Unbound: Possibilities in Painting”, Greg Hilty and Adrian Searle, Curators
	Gallerie De L’Ecole Des Beaux-Arts, Lorient, France, “Le Temps D’Un Dessin”, Philippe Briet, Curator
	Thread Waxing Space, New York, “Written/ Spoken/ Drawn in Lacanian Ink”
	Bravin Post Lee, New York
	Rhona Hoffman, Chicago, IL, “Painting”
	Charles Cowles, New York, “About Color”
	Galleri F15 Alby, Moss, Norway, “8 Rooms for Painting”, Gertrud Sandquist, Curator
	Sperone Westwater, New York, “Summer Exhibition”
	U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA, “The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation”
	Robert Miller, New York, “Abstract Works on Paper”
	Schmidt Contemporary Art, St. Louis, MO, “On Paper”
	Center for the Fine Arts, Miami, FL, “Abstraction: A Tradition of Collecting”
	Galleries Caterina Fosati, Eva Menzio, Giovanni Rimoldi, Turin, Italy, “American Painting Now”
	Galleria Carini, Prato, Italy, “Tutti Questi Mondi”
1995	Sperone Westwater, New York, “Emblems and Contours”
	Museo De Arte y Diseno Contemporaneo, San Jose, Costa Rica, “Mesotica (the America Non-Representiva)”
	Virginia Museum of Fine Arts, Richmond, VA, “Repicturing Abstraction”
	Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr Gallery, Alberta College of Art, Edmonton, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Madison Art Center, Madison, WI; Lowe Art Museum, Coral Gables, FL; Krannert Art Museum, University of Illinois, Champaign, IL; Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN, “Critiques of Pure Abstraction”, a traveling exhibition organized by Independent Curators International, New York, Mark Rosenthal, Curator
	Museum of Contemporary Art, Helsinki, Finland, “Ars ’95”
	Casino Luxembourg, Luxembourg, “Swinging Sixties, Sparkling Nineties”
	Barbara Farber, Amsterdam, Holland, “Architecture of the Mind”, David Moos, Curator
	Kunstverein Rheinland-Westfalen, Düssledorf, Germany; Württembergischer Kunstverein, Stuttgart, Germany, “Das Abenteuer Der Malerei”, Raimund Stecker and Martin Hentschel, Curators
	Museo Alejandro Otero, Caracas, Venezuela, “Transatlantica: The America Europa Non-Representiva”, Jacob Karpio and Ruth Auerbach, Curators
	Museum Folkwang, Essen, Germany, “Positionen: Beobachtungen Zum Stand Der Malerei In Den 90er Jahren”
	Sperone Westwater, New York, “Summer Exhibition”
	Contemporary Art Museum, University of South Florida, Tampa, FL; Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum, University of Vermont, Burlington, VT, “Refab -Painting Abstracted, Fabricated and Revised”, Shirley Kaneda and Rochelle Feinstein, Curators
	Charles Cowles Gallery, New York, “Under Glass”
	Deutsches Haus, Columbia University, New York, “More Hysteria Please”, Josefina Ayerza, Curator
	Manfred Baumgartner, Washington, D.C.
	Centre National D’Art Contemporain, Grenoble, France, “Morceaux Choisis Du F.N.A.C.”
	Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland,”Colour and Paint”
	L.A. Louver, Los Angeles, CA
1996	Friedrich Petzel, New York, “Screen”, Joshua Decter, Curator
	Thaddaeus Ropac, Paris, France and Salzburg, Austria, “Pratiques Abstraites”
	Banque Bruxelles Lambert, Brussels, Belgium, “Art at Work”
	Monika Sprüth, Cologne, Germany, “Malerei II”
	Palacio de Velazquez, Museo Reina Sofia, Madrid, Spain; Kunsthalle Bielefeld, Bielefeld, Germany; Museu D’Art Contemporani, Barcelona, Spain, “Nuevas Abstracciones”, Enrique Juncosa, Curator
	Rolf Ricke, Cologne, Germany, “Form Als Ziel Mündet Immer In Formalismus”
	Sperone Westwater, New York, “Summer Exhibition”
	Gotland Konstmuseum, Gotland, Sweden, “The New York Scene”
	Robert McClain, Houston, TX, “Investigations: American Abstraction”
	Kunsthalle Zurich, Zurich, Switzerland, “Playpen & Corpus Delirium”
	Forum for Contemporary Art, St. Louis, MO, “Reconditioned Abstraction”, Martin Ball, Curator
	Bravin Post Lee, New York
	MacDonald Stewart Art Center, University of Ontario, Guelph, Canada, “New York Abstraction”, David Moos, Curator
	Baumgartner Galleries, Washington, D.C., “12 Years After: Jonathan Lasker, Thomas Nozkowski, Gary Stephan”
	LaGuardia Hall, Brooklyn College, Brooklyn, NY, “The New Narrative Abstraction”, Maria Rand, Curator
1997	Musee d’Art Moderne, St. Étienne, France, “Abstraction/Abstractions Geometrie Provisoires”, Eric De Chassey and Camille Morineau, Curators
	Baumgartner Galleries, Washington, D.C., “New York on Paper”
	Bernd Kluser, Munich, Germany
	Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, “After the Fall: Aspects of Abstract Painting Since 1970”, Lilly Wei, Curator
	Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York, “Turning the Corner: Abstraction at the End of the Twentieth Century”
	Sperone Westwater, New York, “Summer Exhibition”
	Peter Stuyvesant Foundation, Amsterdam, Holland, “Groi in de Collectie”
	Johnson County Community College Gallery of Art, Overland Park, KS, “Essential Gestures”
	Berufsvereinigung Der Bildenden Künstler Voralsberg, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria, “Licht Raum….Schwarz”
1998	Mark Müller, Zürich, Switzerland, “Sensation der Farbe”
	Museum of American Art of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, “Pop/Abstraction”, Sid Sachs, Curator
	White Columns, New York, “Raise the Roof: Benefit Exhibition”
	Gallerie Evelyne Canus, La Colle-Sur-Loup, France, “Painting Objectives”, Shirley Kaneda, Curator
	Malmø Konsthall, Malmø, Sweden, “Arterias: Collection of Contemporary Art Fundacio La Caixa”
	Timothy Taylor, London, England
	Feigen Contemporary, New York, “Exploiting the Abstract”, Shirley Kaneda, Curator
	Max Protetch, New York, “From Here to Eternity: Painting 1998”, Ruth Kaufmann, Curator
	Thaddaeus Ropac, Salzburg, Austria, “The Erotic Sublime”
	Sperone Westwater, New York, “Summer Exhibition”
	Galleria Siboney, Santander, Spain, “Abstracciones”
	Sperone Westwater, New York, “Ideas for the Home”
	Cleveland Museum of Art, Cleveland, OH, “Cleveland Collects Contemporary Art”, Tom Hinson, Curator
1999	Timothy Taylor, London, England, “Works on Paper”
	Greene Naftali, New York, “Free Coke: Lines, Drawing & Paper”
	Von Lintel & Nusser, Munich, Germany, “One by One: Painting Versus Drawing”
	Feigen Contemporary, New York, “Benefit Exhibition”
	Schmidt Contemporary Art, St. Louis, MO, “Mixed Bag”
	Galerie Thaddaeus Ropac, Salzburg, Austria, “Abstrakt”
	Johnson County Community College Gallery of Art, Overland Park, KS, “In Site: Constructing the JCCC Collection”
	Menil Collection, Houston, Texas, “17 Contemporaries”
	Rose Art Museum, Brandeis University, Waltham, MA,”Contemporary Abstract Painting”
	Daniel Templon, Paris, France
	Tricia Collins Contemporary Art, New York, “N.F.S.”
	The Box Associati, Turin, Italy; Les Filles du Calvaire, Paris, France, “Super-Abstr-Action”
2000	Galerie Naechst St. Stephan, Vienna, Austria
	Jan Weiner, Kansas City, MO, “Universal Abstraction 2000”
	Timothy Taylor, London, England, “Works on Paper”
	Susquehanna Art Museum, Harrisburg, PA, “Post Pop”
	Michael Hue-Williams, London, England, “Paintings, I Love”
	Eugene Binder, Long Island City, N.Y.
	Loggetta Lombardesca, Ravenna, Italy, “Arte Americana, Ultimo Decennio”, Claudio Spadoni, Curator
	Aargauer Kunsthaus, Aarau, Switzerland, “Das Gedaechtnis der Malerei: Ein Rueckblick auf das 20. Jahrhundert”
	Timothy Taylor, London, England, “Lasker, Scully, Barcelo, Kuitca, Dokoupil, Baechler”
	Marcel Sitcoske, San Francisco, CA, “Lasker, Marcaccio, Usle”
	Palazzo Cavour, Turin, Italy, “da Warhol al 2000: Gian Enzo Sperone, 35 Anni di Mostre fra Europa e America”
	The American Embassy, Bratislava, Slovakia, “Works on Paper 2000”
	Crocker Art Museum, Sacramento, CA, “Rough Edge: Selections from the Broad Art Foundation”
2001	Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, “Künstlerraume / Sammlerräume”
	Kevin Bruk, Miami, FL, “New Paintings”
	Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, “Encuentros: Dialogos de Complicidad en la Pintura Internacional”
	Rudolfinum Centre for Contemporary Art, Prague, Czech Republic, “American Art from the Goetz Collection”
	Johnson County Community College, Overland Park, Kansas, “New Acquisitions”
	Thaddaeus Ropac, Salzburg, Austria, “Geometrie & Gestus”
	Dee Glasoe, New York, “Boxy”, Carl Ostendarp, Curator
	Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Pori Art Museum, Pori, Finland, “Patterns: Between Object and Arabesque”
	The Broad Art Foundation, Santa Monica, CA
	Sperone Westwater, New York, “Green on Greene”
	Staedtische Galerie Waldkraiburg, Waldkraiburg, Germany; Kunstverein Neuhausen, Neuhausen / Fildern, Germany, “Die Sammlung als Bild: Kugelkopf”, Klaus Merkel, Curator
	Timothy Taylor, London, England, “Content is a Glimpse”
	Galerie Academia & Galerie Mario Mauroner, Salzburg, Austria, “Concepts of Images”, Lorand Hegyi, Curator
	Dalton Gallery, Agnes Scott College, Atlanta, GA, “A Matter of Scale”
	École Régionale des Beaux-Arts, Valence, France, “A Rose is a Rose is a Rose: la Collection FRAC Auvergne”
	Musée de Grenoble, Grenoble, France, “L’art d’aujourd’hui: un choix dans la Collection du FNAC”
	Yale University Art Gallery, New Haven, CT, “Between Language and Form”, Jennifer Gross, Curator
	Nusser & Baumgart, Munich, Germany, “Choose Your Partner”
	Fundació “La Caixa”, Barcelona, Spain
	Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, “Transcendent & Unrepentant”
	Alain Noirhomme, Brussels, Belgium, “USA American Art Since 1980”
	Galerie Mark Müller, Zürich, Switzerland, “Spieglein, Spieglein an der Wand”
	Jan Weiner Gallery, Kansas City, MO, “Summarize/Summer Eyes”
2003	Musée du Tapis et des Arts Textiles, Clermont-Ferrand, France, “La Langue dans la Boue”
	Galerie Suzanne Tarasiève, Paris, France, “Edition Speciale”
	Laguna Art Museum, Laguna Beach, CA, “Some Fuzzy Logic: The Joan Simon Menkes Gift”
	Timothy Taylor, London, England
	Museum Morsbroich, Leverkusen, Germany, “New Abstract Painting–Painting Abstract Now”
	Chateau des Ducs de Bretagne, Nancy, France, “Les 20 Ans des FRAC: Un Tableau Dans Le Decor, Peintures 1970-2000”
	Kunsthalle Palazzo, Liesthal, Switzerland, “Fragmente des Paradieses”
	Thaddaeus Ropac, Salzburg, Austria,”Greetings From New York – A Painting Show”
	Galleria Cardi & Co., Milan, Italy, “Painting Lesson”
	Thomas Schulte, Berlin, Germany, “Small Masterpieces: Nine Little Giants”
2004	Orlando Museum of Art, Orlando, FL; Samuel Dorsky Museum of Art, New Paltz, NY; Chelsea Art Museum, New York, “Co-conspirators: Artist & Collector, The Collection of James Cottrell & Joseph Lovett”
	L.A. Louver, Los Angeles, CA, “Paintings”
	Jan Weiner Gallery, Kansas City, MO, “Summer Eyes/Summarize”
	Galerie Thaddaeus Ropac, Salzburg, Austria, “20 Years 1984-2004”
	Galleria Cardi & Co., Milan, Italy, “…So Fresh, So Cool!”
	Galerie Monika Reitz, Frankfurt, Germany, “Abstraction”
	Wichita Art Museum, Wichita, KS, “A Collective Image of America: Selections from the Permanent Collection”
	Lemburg Gallery, Ferndale, MI
	Centre D’Art Contemporain de la Villa du Parc, Annemasse, France, “Le Syndrome de Babylone: Collection Du FRAC D’Auvergne”
	Hirshhorn Museum, Washington, D.C., “Gyroscope: Rotations From The Collection”
	Galerie Kugler, Innsbruck, Austria, “New Editions”
2005	BA-CA Kunstforum, Vienna, Austria; Kunsthal, Rotterdam, Netherlands, “Willem De Kooning und Die Folgen”
	Thomas Schulte, Berlin, Germany, “Yankee Love & Latin Doodle”
	Galleria Alessandro Bagnai, Florence, Italy
	Mixed Greens, New York, “Glimpse”, Rob Nadeau, Curator
	Baumgartner Gallery, New York, “25 Years Baumgartner Gallery: Selected One-Person Exhibitions, Part Two”
	Felix Ringel Galerie, Düsseldorf, Germany, “The Spirit of an Open Mind”
	Museo De Arte Del Banco De La Republica, Bogota, Columbia, “Campo En Expansion: Los Ochenta En La Coleccion De La Fundacion “La Caixa” “
	Domo Gallery, Summit, NJ, “New World Orders: Vision and Re-Vision”
	Tottori Prefectural Museum, Tottori City, Japan, “Contemporary American Art from the Misumi Collection”
2006	Galerie Sabine Knust, Munich, Germany, “Broken Surface”
	John Hansard Gallery, University of Southampton, Southampton, England, “Patrick Heron, Jonathan Lasker, Katie Pratt”
	Centre Européen d’Action Artistiques, Strassbourg, France, “Affinities”
	National Academy Museum, New York, “The 181st Annual Exhibition of Contemporary American Art”
	Lars Bohman, Stockholm, Sweden
	Thomas Schulte, Berlin, Germany, “Last Call”
	Connaught Brown Gallery, London, England, “Modern and Contemporary Master Drawings”
	Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”
	MASS MoCA, North Adams, MA, “Gunnar A. Kaldewey: Artist Books for a Global World, Four Collaborations in Depth”
	Galerie Krinzinger, Austria, “Hot Springs in Autumn”
	Centre Européan d’Actions Artistiques Contemporaines, Strasbourg, France, “Affinités”
2007	Musée National d’Art Moderne: Centre Pompidou, Paris, France, “Nouvelle Présentation des Collections du Musée National d’Art Moderne”
	North Dakota Museum, Grand Forks, North Dakota, “Conversations: Artist & Collector, The Collection of James Cottrell & Joseph Lovett”
	Galleri Wang, Oslo, Norway, “Play”
	Gesellschaft für Gegenwartskunst, Augsburg, Germany, “On Paper!: Amerikanische Zeichnung ab 1960.”
	Elizabeth Leach Gallery, Portland, OR, “Multiples.”
	Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”
	Rabley Contemporary Drawing Center, Marlborough, England, “Articulated Forms”
	Mint Museum of Art, Charlotte, NC, “Contemporary Cool and Collected”
	Texas Gallery, Houston, Texas, “Lines”
	The Clay Center, Charleston, WV, “In the Realm of the Senses: Selections from the Collection of Dr. James Cottrell and Joseph Lovett”
	Lars Bohman, Stockholm, Sweden, “Donald Baechler, Jonathan Lasker, Bjarne Melgaard”
	Westport Art Center, Westport, CT, “Quirky”, Michael Amy, curator
	Black Dragon Society, Los Angeles, CA, “Automatons”
	Maruani and Noirhomme Gallery, Knokke, Belgium, “American Abstract”
	Amarillo Museum of Art, Amarillo, TX, “Selections from the Permanent Collection: New Gifts”
	Orlando Museum of Art, Orlando, Florida, “Audacity in Art: Selected Works from Central Florida Collections”
2008	Carl Solway Gallery, Cincinnati, OH, “What is a Print?”
	Mudam Luxembourg- Musée d’Art Modern Grand-Duc Jean, Luxembourg , Luxembourg, “Out of Storage I: Peintures choisies de la Collection”
	La Fundación Pedro Barrié de la Maza, Vigo, Spain, “En Construcción I”
	BravinLee Programs, New York, “Works on Paper: Jonathan Lasker, Chris Martin, Thomas Nozkowski, James Siena”
	Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”
	Galleria II Cerchio, Milan, Italy, “American & British Artists”
2009	Staatliche Graphische Sammlung, Pinakothek der Moderne, Munich, Germany, “Die Gegenwart der Linie”
	Trahern Gallery, Austin Peay University, Clarksville, TN, “Jettison: New Ideas in Abstraction”
	L.A. Louver Gallery, Venice, CA
	Brandenburgischer Kunstverein, Potsdam, Germany, “Collecting Evidence – Part I: False Friends; The Kienzle Art Foundation”
	Shaheen Modern and Contemporary Art, Clevland, OH, “On Paper”
	Cheim and Read, New York, “Abstractions by Gallery Artists”
	Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”
	Mushroom Works, Newcastle Upon Tyne, England, “Print”
2010	Kienzle Art Foundation, Berlin, Germany, “Loose Joints”, Hans- Jürgen Hafner and Daniel Kletke, curators
	Galería Max Estrella, Madrid, Spain, “España / America The Redefined Abstraction”, Demetrio Paparoni, curator
	Fonds Régional d’Art Contemporain Auvergne, Clermont-Ferrand, France, “Babel”
	Cheim and Read, New York, “Le Tableau”, Joe Fyfe, curator
	Bravin Lee Programs, New York
	Tibor de Nagy, New York, “Town and Country”, Trevor Winkfield, curator
	University of New Mexico Art Museum, Alburquerque NM, “Tamarind Touchstones: Fabulous at Fifty”
	Orlando Art Museum, Orlando, FL, “Currents in Contemporary Art”
	Hillsboro Fine Art, Dublin, Ireland, “Studies in Paint: Jonathan Lasker and John Noel Smith”
	Galeria Miguel Marcos, Barcelona, Spain, “Pintura Sin Tregua”
2011	American Academy of Arts and Letters, New York, “Invitational Exhibition of Visual Arts”
	American Academy of Arts and Letters, New York, “Exhibition of Newly Elected Members and Recipients of Honors and Awards”
	Philip Slein, Saint Louis, MO, “Jim Schmidt Presents Abstraction”
	Timothy Taylor, London, England, “The Minimal Gesture”
	Thomas Schulte, Berlin, Germany, “1991…”
	Marianne Boesky, New York, “Night Scented Stock”, Todd Levin, curator
	Patricia Low Contemporary, Geneva, Switzerland, “The Bewildered Image: American Painters from the 1980’s”
	Galeria Miguel Marcos, Barcelona, Spain, “Alusiones-Ilusiones”
2012	Nosbaum and Reding Art Contemporain, Luxembourg, “American Art of the 1980’s”
	Galerija Contra, Koper, Slovenia, “A. ABSTR_ ACTION.”
	Timothy Taylor, London, England, “Outside In”
	U.S. Embassy, Luxembourg, Luxembourg, “Art in Embassies Exhibition”
	Galerie Thomas Zander, Cologne, Germany, “Smile, Amerikanische-Kunst—Sammlung Kienbaum”, Rolf Ricke, curator
	Hunter College, Times Square Gallery, New York, “Conceptual Abstraction”, curated by Pepe Karmel and Joachim Pissarro
	Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany, “Heute. Malerei”
2013	The Painting Center, New York, “Wit”, curated by Joanne Freeman
	Galerie Thomas Schulte, Berlin, Germany, “Thought”
	Galerie Sabine Knust, Munich, Germany, “Spring Break”
	Cheim and Read, New York, “Reinventing Abstraction”, curated by Raphael Rubinstein
	Villa Arson, Nice, France, “Entrée Libre Mais Non Obligatoire” curated by Noël Dolla
	Lars Bohman Gallery, Stockholm, Sweden
	Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany, “Keine Parole: Aktion-Malerei-Konzept, Werke aus der Sammlung Kienzle, Berlin”
	Lars Bohman Gallery, Stockholm, Sweden, “PANORAMA”
	Nouveau Musée National de Monaco, Monaco, “Promenades d’Amateurs”
2014	Zentrum Paul Klee, Bern, Switzerland, “Taking a Line for a Walk”
	Metro Pictures/Paula Cooper Gallery, New York, “CalArts Benefit Exhibition”
	LA Louver, Venice, CA
	Metropolitan Museum of Art, New York, “Drawings and Prints:Selections from the Permanent Collection”
	Michael Werner Kunsthandel, Köln, Germany, “Night Images”
	Garth Greenan Gallery, New York, “Pop Abstraction”
	Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain, “93 Exhibition”
	Timothy Taylor Gallery, London, England, “Slow Learner”
	Michael Thibault Gallery, Los Angeles, CA, “Bad Influence”
	Busan Museum of Art, Busan, Korea, “Busan Biennale 2014”
	Cobra Museum of Modern Art, Amstelveen, Netherlands, “The Hidden Picture – Collecting Art at ING”
	Galería Marta Cervera, Madrid, Spain, “Dense Fictions”, curated by Miguel Abreu
	Galerie Thomas Schulte, Berlin, Germany, “Teach Us to Outgrow Our Madness”
2015	The Hole, New York, “Post-Analog Painting”
	Retrospective Gallery, Hudson, New York, “Jeremy DePrez, Jonathan Lasker, Zachary Leener”
	Schauwerk Sindelfingen, Sindelfingen, Germany, “I Like America”
	Office Baroque, Brussels, Belgium, “Rio”
	Underdonk, Brooklyn, New York, “Paul Klee”
	Jablonka Maruani Mercier Gallery, Brussels, Belgium, “12 New Yorkers”
2016	Fredericks & Freiser, New York, “Strange Abstraction”
	Kienzle Art Foundation, Berlin, Germany, “How to Be Unique”
	Galeria Miguel Marcos, Barcelona, Spain, “Affinities”
	The Orlando Museum of Art, Orlando, FL, “The Conversation Continues… Highlights from the James Cottrell + Joseph Lovett Collection”
	Foundation de I’Hermitage, Lausanne, Switzerland, “Basquiat, Dubuffett, Soulages… Une Collection Privée”
	Steven Zevitas Gallery, Boston, MA, “ABC/123”
	Eugene Binder, Marfa, Texas, “Structural Integrity”
2017	Unix Gallery, New York, “Think Paint”
	Silas Von Morisse Gallery, Brooklyn, NY, “Articulate”, curated by David Cohen
	Kunstalle Krems, Krems an der Donau, Austria, “Abstract Painting Now!”, curated by Florian Steininger
	Arti et Amicitiae, Amsterdam, Netherlands, “Permanent Repetition” curated by Raymond Cuijpers and Cole Verhoeven
	National Gallery of Canada, Ottawa, Canada, “2017 Canadian Biennial”
	Kunstmuseum Liechtenstein, Vaduz, Liechtentein, “Sammlung Kienzle”
	Galeria Miguel Marcos, Barcelona, Spain, “Looks”
2018	Pablo’s Birthday, New York, “Set Adrift on Memory Bliss”, curated by Tessa Perutz
	Astrup Fearnley Museet, Oslo, Norway, “I Still Believe in Miracles–Works from the Selvaag Art Collection”
	Galerie Thomas Schulte, Berlin, Germany, “The Matter in Harmony”
	Galerie Klüser, Munich, Germany, “Abstract/ion”
	Mudam Luxembourg- Musée d’Art Modern Grand-Duc Jean, Luxembourg, Luxembourg, “Paintings from the 1980s and 1990s”
	L.A. Louver, Los Angeles, California, “Shaping Color”
	Dieu Donné, Brooklyn, New York, “2018 Survey of Dieu Donné Art in Paper: Selections from the Archive”
2019	Nassau County Museum of Art, Roslyn Harbor, NY, “That 80’s Show”, Curated by Eric Fischl
	Kunst Museum Winterthur, Winterthur, Switzerland, “Frozen Gesture”, curated by Konrad Bitterli, Lynn Kost, and Andrea Lutz
	Galerija Contra, Zagreb, Croatia “Groundwork”
	Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA, “Legends and Legacy: Revolutions in Hand Papermaking”, curated by Cynthia Nourse Thompson
2020	Bohman-Knäpper, Stockholm, Sweden, “Works on Paper”
	KODE Art Museum, Bergen, Norway, “Private Eyes, Selections from the Christen Sveaas’ Art Foundation”, curated by William Flatmo
	Pinakothek der Moderne, Munich, Germany, “Au rendez-vous des amis. Modernism meets Contemporary Art from the Sammlung Goetz”, curated by Karsten Löckemann and Oliver Kase
2021	Thadaeus Ropac, Paris (Pantin), France, “30 Years in Paris, part II”
	Zürcher Gallery, New York, “The Phoenix and the Mountain: In-centric Abstraction in the 80s”, curated by Choghakate Kazarian
	Miguel Abreu Gallery, New York, “The Poet-Engineers”
	Mimmo Scognamiglio Artecontemporanea, Milan, Italy, “Abstraction/Reaction: Works from the collection of Arnaud Debois”
2022	Kienzle Art Foundation, Berlin, Germany, “The Fiction of Property”
2023	The Philadelphia Art Alliance at University of the Arts, Philadelphia, PA, “The Searchers”, curated by Sid Sachs
	Bravin Lee Programs, New York, “5 Painters: Ralph Albert Blakelock, Tracy Grayson, Jonathan Lasker, Thomas Nozkowski, Jennifer Wynne Reeves”
	Rollins Museum of Art, Winter Park, FL, “Recent Acquisitions” Kasmin Gallery, New York, “Minimalism and Its Afterimage”, curated by Mark Rosenthal
	Museum of Modern Art, New York, NY, ” New Ground: Jacob Samuel and Contemporary Etching”, curated by Esther Adler
	Von Lintel Gallery, Los Angeles, California, “Gems From The Past 30 Years”
2024	Galerie Thomas Schulte, Berlin, Germany, “Pictorial Resonance”, curated by Fabian Marcaccio and Jonas Weichsel
	Galleria Luca Tommasi, Milan, Italy, “What Presence”, curated by Daniel Sturgis
	Kunst Museum Winterthur, Winterthur, Switzerland, “From Gerhard Richter to Mary Heilmann: Abstract Art from Private Collections and the Museum’s Holdings”, curated by Konrad Bitterli